2018 Hugo Eligibility Post: Best Fan Artist

by Ariela

2018 was a hard year. While I didn’t make much new art, I am extremely proud of what I did.

The Hugo Committee has decided this is not eligible.  Lady Astronaut Nouveau Inspired by The Calculating Stars by Mary Robinette Kowal. Licensed by Mary Robinette Kowal.

The Hugo Committee has decided this is not eligible.

Lady Astronaut Nouveau
Inspired by The Calculating Stars by Mary Robinette Kowal.
Licensed by Mary Robinette Kowal.

Anathem Illuminated First Page From the novel Anathem by Neal Stephenson. Produced with permission from Neal Stephenson.

Anathem Illuminated First Page
From the novel Anathem by Neal Stephenson.
Produced with permission from Neal Stephenson.

“Penric’s Demon” Illuminated First Page From the novella “Penric’s Demon” by Lois McMaster Bujold. Licensed by Lois McMaster Bujold.

“Penric’s Demon” Illuminated First Page
From the novella “Penric’s Demon” by Lois McMaster Bujold.
Licensed by Lois McMaster Bujold.

Explode the Gender Binary sticker Watercolor and digital.

Explode the Gender Binary sticker
Watercolor and digital.

Hugo Category Eligibility

Once again, I am eligible for the Best Fan Artist Hugo category. If you are able to nominate for the Hugos, please nominate me as “Ariela Housman,” as the award is for the artist, not the business. (This doesn’t recognize Terri’s hard work and the way she contributed, which is annoying. Any rocket which I may eventually win will really be part hers.)

In a sense, this feels like the first time I really belong in the Fan Artist category, since three of the four pieces above these started as art by a fan of books, even though they are licensed and whatnot.

Explanatory Thingee About Hugo Category Eligibility

Some Hugo categories (Best Professional Artist, Best Fan Artist, Best Semiprozine, and Best Fanzine) are defined by whether the work done was professional, semi-professional, or fannish. The definition of what is a “professional” publication is somewhat technical. A professional publication either (1) provided at least a quarter the income of any one person or, (2) was owned or published by any entity which provided at least a quarter the income of any of its staff and/or owner.

-TheHugoAwards.org

For the purposes of Hugo categories, you are only a Professional Artist if your stuff gets published in a Professional Publication. So you can make a living entirely for years by selling your SF art directly to other people and still not be considered a Professional Artist for the purposes of the Hugos if your art was never included in a publication that earns according to the above criteria.

When making prints was harder and there wasn't much in the way of direct-to-fans selling outside of conventions, this made sense. Today it is ridiculous, but the rules are the rules.

A Note About Lady Astronaut Nouveau’s Consideration

Update: The Hugo Committee has ruled that Lady Astronaut Nouveau is not eligible. Our post announcing that and our response is here.

When considering whether or not to nominate an artist, only their art which is (1) completed in 2018, and (2) meets the criteria of the category, in this case, Fan Art. An excerpt from the description of the Best Fan Artist category:

Again note that the work by which artists should be judged is not limited to material published in fanzines. Material for semiprozines or material on public displays (such as in convention art shows) is also eligible.

-TheHugoAwards.org

By this metric, whether or not Lady Astronaut Nouveau meets the criteria of Fan Art is questionable, as it was neither published in a semiprozine nor displayed in a convention art show. However, it was posted on this website and blog, Mary Robinette Kowal’s blog, and Mary Robinette Kowal’s Pinterest Gallery for Lady Astronaut fanart. Given the wording “not limited to” and “such as” in the category description, we’re reading the examples of semiprozines and convention art shows as just that, examples, and the list thereof as inclusive but not exhaustive. We think that being on the internet is about as public as a display gets, so Lady Astronaut Nouveau should be included when considering Ariela’s 2018 body of work.

Should the Hugo Committee think otherwise, we will remove it from all Eligibility posts about Ariela’s 2018 work.

Arisia 2019 - Go or Cancel?

By Terri & Ariela

Well, frak. It sums up our feelings.

Well, frak. It sums up our feelings.

When the Internet blew up surrounding several accusations of mismanaged Incident Reports by the Arisia Corporation’s Executive Board, we faced a very difficult decision. Do we stay with a convention that has been a very important source of both income and fun for us, or do we boycott as many are doing? This was compounded by the fact that Terri is now living in Israel for two years, and going to Arisia means an expensive international plane ticket.

Neither of us wants to support an environment in which assaults are not taken seriously or handled properly. While Arisia has an extensive Code of Conduct and a dedicated Incident Response Team, it’s clear that changes need to be made in who this team consists of and how they manage both official and unofficial reports.

Our difficulties in making this decision were further complicated by the vagaries of space and time. Ariela first heard about it on a Thursday night, when Terri was already in bed. By the time both of us were up the next day, Terri was about to bring in Shabbat. And what with one thing or another, by the time we managed to sit down and have a discussion about what to do, the window for a principled exit to effect change had closed: the former president had been kicked out, most of the EBoard had resigned, and an external review team had been contracted to revamp the IRT processes. At this point, publicly stepping away would signal dissatisfaction with the changes that are taking place, not disgust with the initial problem. And while we think that the changes made so far are not sufficient to call the problem fixed, we want them to continue this process.

Because of these efforts, we are cautiously giving the convention a last chance. We will be watching carefully to see how these changes are implemented. If we are unsatisfied, we will no longer be attending or exhibiting at Arisia until we can be sure that everyone in attendance is safe.

We ask that if you choose to boycott the convention, you support the artists and vendors who rely on it for their income. These people do not deserve to be punished for the actions of others. We will be posting a list of all of these in early January, before the convention.